
It's not just about vocal technique...
As a young singer, I was trying to figure out how I could at all sing under pressure, when it counts. I was on my way back from an audition which I bombed -- I had a completely sleepless night the night before because my mind was racing, I was practicing in my head over and over! I couldn't shut my mind off and I couldn't sleep. Exhausted, I don't even know how I made it through the audition the next day. On the drive home, in tears and in desperation, I cried out, "God, if you want me to be a singer, I need to know how to do it without stress!!!" Shortly thereafter, I found Dr. Alex Loyd and the Healing Codes. This was the beginning of a journey which would lead me eventually to develop the program I now call Soulatis®. This program taught me how to center myself and how to stay centered under stress. I don't mean to say that I was never stressed as a performer -- it is a very stressful job! But I can say that I was able to stay more focused and more calm leading up to and during performances. Also, I was learning how to have a life, not just a career!
The techniques of Soulatis® in its general form are amazing for creating power and relieving stress, not to mention building strength (both physically and vocally) and forming your instrument! But there are additional techniques which I can show you through some of the principles of Soulatis® which can put a piece in your your voice quickly! You can use the knowledge of the Soulatis® Vowels and their related Chakras to create a seamless legato --- helping you to find the right resonance on each vowel for each pitch, so that your vowels are on the breath without "positioning the voice." This creates a "String of Pearls" which is one precisely resonant vowel after another. I also help to train in your consonants so that they do not interfere with the legato of your beautiful vowels, in fact the consonants become a support for the voice! With the vowels and the consonants working in harmony, you learn to use your whole body as an instrument -- in the flow and without force -- so your voice can do what it is meant to do -- swing freely! Once you get the hang of it, you can use these principles to train any piece in by yourself.
If you are interested in this approach, please contact me!
I charge 60 Euros for an hour lesson, 80 Euros for an hour and a half. Online lessons are absolutely possible!
If you're curious, here is a sample of some of the repertoire I performed in my career:
Mozart:
* Pamina * Susanna * Contessa * Elettra
* Zerlina * Donna Anna * Donna Elvira
Bel Canto:
* Norina * Maria Stuarda * Anna Erisso (Maometto II),
* Norma * Violetta * Amelia
German Romantic:
* Irena (Rienzi) * Senta (Der Fliegende Holländer)
* Elisabeth (Tannhäuser) * Agathe (Der Freischutz)
Other:
* Rusalka * Emilia Marty (Makropulous Case)
* Anne Truelove * Micäela
Puccini:
* Liù * Tosca * Suor Angelica * Cio-cio-san * Lauretta * Giorgetta (Il Tabarro)
Operette:
* Sylva (Die Csardasfürstin) * Rosalinde (Die Fledermaus)
* Hanna Glawarie (Die Lustige Witwe)
Live Recordings:
Photo Gallery

Rusalka (Rusalka) - Dvorak

Violetta (La Traviata) - Verdi

Sylva (Die Csardasfürstin) - Kalman

Agathe (Der Freischütz) - von Weber

Senta (Der Fliegenden Holländer) - Wagner

Cio-Cio-San (Madama Butterfly) - Puccini

Emilia Marty (Der Sache Makrapulous) Janáček
